Da Grin’s
Pon Pon Pon Opens Local Rap
Revolution
Uzo Chikere
Remember the
remarkable song that frog-jumped a revolution where Nigerian rappers will
denounce the American influenced manner of rapping, and pick up the language of
the streets they grew up with?
That song is no
other than late Da Grin’s seminal classic single 'Pon Pon Pon'.
Born in the studio
of Sossick (one of the best rap producers), 'Pon Pon Pon' was released in 2009
on the heels of M.I and Naeto C's debut albums that entrenched the cool and
laid back flow into the narrative of rap music in Nigeria.
'Pon Pon Pon' could
not have been a more different single at that time to release. Its thumping
baseline and jarring bells were sharp contrast to M.I's flashy 'Safe',
and Naeto C's super cool 'Kini Big Deal'.
'Pon Pon Pon' was a
pleasant awakening to the hustler content that had long been ignored in
Nigerian rap music. Da Grin weaved a tale from the fabric gotten from a rough
childhood, dark street corners, hometown pride, and a hustler's state of mind,
street violence, spiritual protection, and bullying his contemporaries.
While rappers at
this period wanted to seduce their way into the elite class, Da Grin dragged
the elite into his world; the ghetto, and painted a gripping picture of a young
man fighting against all odds to make his dreams come true.
Apart from proudly
claiming the streets with so much authority (backed with authenticity), and
bringing it to the context of Nigerian rap music, 'Pon Pon Pon' is in the walls
of fame for being the first artistic Yoruba rap song to make a mark on the
mainstream.
Yoruba rappers had
not been able to produce a rap song that met the artistic purist requirements
needed to get approval from Hip Hop heads. 'Pon Pon Pon' was the first to get
the golden stamp of approval.
Da Grin's well stacked
rhymes, clever word play and steady flow appealed to the core fan base of rap
lovers.
Six years after, the
track (which was originally a Gino track) is still commanding as ever. When Da
Grin voice sparks to life with the opening lines "omo naija ni mi,
Naija lo bi mi si. Naija ni mo ti bere si ke A, B, C" it kick started
a revolution where rappers will denounce the American influenced manner of
rapping, and pick up the language of the streets they grew up with, whether
Yoruba, Igbo, Hausa or pidgin.
Rapping the streets,
and rapping in indigenous Nigerian rap languages is the flavour of the moment
now, with millions savouring the sweet music of Olamide, Phyno and Reminisce.
Just remember Da Grin was the chef and 'Pon Pon Pon' was the first meal.
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